Alien Sex: The Body and Desire in Cinema and Theology (Challenges in Contemporary Theology)

By Gerard Loughlin (Author)
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Item Number 155086  
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Product Description
This provocative study uses various noteworthy films to develop significant connections between the Christian tradition and contemporary culture, particularly with regard to the body, gender, and sexuality. The title evokes several themes of the work. It refers to: The way in which sexuality has sometimes been construed as an alien force within the body, for example in the work of St Augustine The way in which certain contemporary cultural texts, such as David Fincher's film Alien 3, continue the Augustinian theme in a secular mode, construing sexuality as an alien threat to human life and evoking fears about AIDS and childbirth. The way in which a Christian account of sexuality must appear alien to us because it is a 'heavenly' sexuality not natural to us in our fallen state Loughlin's goal, to view sexuality from the perspective of heaven, is not intended to etherealize the body, but to focus readers on just how bodily and biological so much of Christian theology is.


Book Description
Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displa.





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Item Specifications...

Pages   336
Dimensions:   Length: 9.2" Width: 6.08" Height: 1.14"
Weight:   1.34 lbs.
Binding  Hardcover
Publisher   Wiley-Blackwell
ISBN  0631211799  
EAN  9780631211792  


Availability  100 units.
Availability accurate as of Feb 12, 2012 05:05.
Usually ships within one to two business days from La Vergne, TN.
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Product Categories
1Books > Special Features > New & Used Textbooks > Humanities > Communications > Film Studies   [1147  similar products]
2Books > Special Features > New & Used Textbooks > Humanities > Religious Studies > Christianity   [2832  similar products]
3Books > Special Features > New & Used Textbooks > Humanities > Religious Studies > General   [106  similar products]
4Books > Special Features > New & Used Textbooks > Humanities > Religious Studies > History   [390  similar products]
5Books > Subjects > Entertainment > Movies > History & Criticism   [2622  similar products]
6Books > Subjects > Nonfiction > Social Sciences > General   [17908  similar products]
7Books > Subjects > Religion & Spirituality > Christianity > Theology > General   [8607  similar products]
9Books > Subjects > Religion & Spirituality > Religious Studies > Sociology   [1402  similar products]



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Reviews - What do our customers think?
Scintillating...no, really  May 13, 2008
I first encountered a portion of this book in the controversial Radical Orthodoxy: A New Theology produced by Routledge (titled "Erotics: God's Sex"). There are some interesting essays in that volume, but Loughlin's was simultaneously one of the most accessible and one of the most provocative. Any theologian who can start a theological piece by pointing to the prurient preoccupations of Georges Bataille and then plausibly bring the trajectory around full circle to champion the Trinitarian eros of Dante's Commedia is a creative theologian, if nothing else.

Bringing together his Radical Orthodox sensibilities, his Roman Catholic insistence on Incarnational faith and the sacramentality of creation (including desire and the flesh), and his interests in queer theory, Loughlin conducts the reader through this seemingly disparate triad of interests - God, sex, and the movies - and helps the reader to see the pulsing, luminous desire for the Other that flows through each of them. His commentaries on films such as The Exorcist, A Clockwork Orange, and Alien are interspersed with reflections on philosophers and theologians from Augustine and Gregory of Nyssa to Roland Barthes and Slavoj Zizek.

If you read this book in public, you might want to find a cover for it. But the forbidden desires of Alien Sex are well worth the transgression. In an age when the Church and theology are often bifurcated into the same stale antinomies between fundamentalist and liberal, right-wing and left-wing, Loughlin offers an unwaveringly Trinitarian vision of reality that simultaneously challenges the patriarchy and heteronormativity of the institutional church. If you're tired of the repugnant imperial theology of much of the Christian Right but leery of the cavalier attitude toward orthodox dogma of much of the Christian Left, Loughlin's radically orthodox theology of desire might be a refreshing respite.
 

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